WebDefinition of Suttee. 1. n. A Hindoo widow who immolates herself, or is immolated, on the funeral pile of her husband; -- so called because this act of self-immolation is regarded as envincing excellence of wifely character. Definition of Suttee. 1. Noun. The custom and/or act of a Hindu woman giving herself up to be cremated on her husband’s ... WebMay 2, 2024 · Suttee by James Atkinson, 1831, in the India Office Collection of the British Library (c) British Library Board 2009. In this age of ascending feminism and focus on equality and human rights, it is difficult to assimilate the Hindu practice of sati, the burning to death of a widow on her husband's funeral pyre, into our modern world. Indeed, the …
Widow-Burning Encyclopedia.com
WebThe meaning of SUTTEE is the act or custom of a Hindu widow burning herself to death or being burned to death on the funeral pyre of her husband; also : a woman burned to death in this way. WebJul 31, 2024 · Sati or suttee is the ancient Indian and Nepalese practice of burning a widow on her husband's funeral pyre or burying her alive in his grave. This practice is associated with Hindu traditions. The name … small fountains for indoors
SUTTEE English meaning - Cambridge Dictionary
WebTamang sagot sa tanong: (para sa bilang 2-3, magbigay ng sariling opinyon hinggil sa pahayag.) 2. Sa bansang India, noong unang panahon ayon sa kasaysayan ay umiiral ang suttee/sati- sumasama ang babaeng asawa sa funeral fire ng kanyang asawang namatay bilang pagpapakita ng pagmamahal.3. Ang lahat ay nagaganap ay naaayon sa universal … Web(a) What was suttee? [4] Reward each correct statement with 1 mark. 2 marks can be awarded for a developed statement. Candidates might refer to: A Hindu tradition, ritual burning of widows on funeral pyre of husbands. British tended to ignore the practice because of the fear of offending high-caste Hindus serving in the British army and civil ... Webthe term sati to denote the woman who thus sacrifices herself (or is coerced to do so). This distinction mirrors not only the contrast between the colonial and the indigenous iconographies in Courtright's model; it additionally emphasizes, on the one hand, the Western concentration on visual parameters (suttee as a spectacle) and, on the other, the songs of south africa